LoFi And Chill WAV: The Ultimate Collection of Royalty-Free Lofi Loops and Samples

One of the best parts about making lofi music is you can take pretty much any source and make it lofi yourself, and orchid is full of amazing source material for turning into a lofi vibe. Especially the guitar loops & vocal loops.

LoFi And Chill WAV

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Many artists exploited the style's low-budget simplicity, which led to an oversaturation of acts that contributed to the original scene's demise. The phrase "chillwave" came to be used as a pejorative due to the music's perceived shallowness and reliance on nostalgia. Detractors also criticized the term for having been contrived by media publications. It heralded the early 2010s proliferation of Internet music microgenres, including vaporwave, which originated as an ironic variant of chillwave. By the mid-2010s, chillwave had faded in popularity, with most of the original artists and listeners of the genre shifting focus to other music styles.

[S]omething that could pass for today's "chillwave" has existed, in wide and steady circulation, at just about every moment for 20 years, and mostly as such a rote and staple sound that nobody would even think to name it specifically.

Chillwave has been classified as psychedelia,[8] bedroom pop,[2][3] or electropop.[13] Before a specific term for the music was coined, it was described as shoegaze, dream pop,[20][19] ambient, or indietronica.[19] Pitchfork's Nitsuh Abebe writes that, since at least 1992, the style had existed for one principal reason: "stoned, happy college kids listening to records while they fall asleep."[19] Abebe cited Slowdive, Darla Records' Blissed Out ambient compilations, and Casino Versus Japan's eponymous 1998 album as examples.[19] One of the earliest known manifestations of the genre is the Beach Boys' song "All I Wanna Do" from their 1970 album Sunflower.[21][22] Boards of Canada, whom Abebe says pre-chillwave music was often compared to,[19] were also influential,[23][17] as were Fennesz, and J Dilla's 2006 album Donuts.[24][17]

Ariel Pink is frequently cited as "the godfather of chillwave".[25] He initially gained recognition in the mid-2000s through a string of home-recorded albums that reconfigured 1970s radio-rock and 1980s new wave in a lo-fi setting.[26] The Paw Tracks record label, which distributed Pink's albums, was run by Animal Collective, who signed Pink after being impressed by a CD of his home recordings, starting with The Doldrums (2000).[25] Uncut's Sam Richard profiled Pink as "a lo-fi legend" whose "ghostly pop sound" proved influential to chillwave acts such as Ducktails and Toro y Moi.[27] Critic Adam Harper disputed Pink's "godfather of chillwave" status, writing that his influence on lo-fi scenes has been somewhat overstated, explaining that his music lacks "the mirror-shades-cool synth groove of chillwave ... Pink's albums are zany, personal, largely rock-based and dressed in awkward glam".[28] Discussing chillwave's bedroom pop precursors, Allene Norton of Cellars opined that Pink is "definitely not chillwave but that kind of stuff influenced a lot of the artists making it, like Washed Out."[29]

Most accounts attribute "chillwave" to a July 2009 post written by "Carles", the anonymous manager of the blog Hipster Runoff.[9] The site, which was active between 2008 and 2013, was known for its ironic posts on "alt" trends.[36] Carles used the term to describe a host of emerging bands that appeared similar to each other.[9] A July 27 post titled "Is WASHED OUT the next Neon Indian/Memory Cassette?" ruminated on a nascent trend involving the "musicsphere" searching for a "new 'authentic, undergroundish product' that isn't a huge brand like AnCo/GrizzBear/etc. ... It seems easiest to have a chill project, that is somewhat 'conceptual' but also demonstrates that ur band has 'pop sensibilities' or something."[37] He proposed a list of genre names, including "Chill Bro Core", "Pitchforkwavegaze", "forkshit", and "CumWave".[24] The post concludes:

Feel like I might call it 'chill wave' music in the future. Feels like 'chill wave' is dominated by 'thick/chill synths' while conceptual core is still trying to 'use real instruments/sound like it was recorded in nature.' Feel like chillwave is supposed to sound like something that was playing in the background of 'an old VHS cassette that u found in ur attic from the late 80s/early 90s.'[37]

While chillwave and hypnagogic pop both evoke the cultural aesthetics of the 1980s and 1990s, chillwave espoused a more commercial sound that emphasized "cheesy" hooks and reverb effects.[39] According to Pitchfork's Miles Bowe, chillwave came to constitute a pejorative referencing the "cynical" rebranding of hypnagogic pop acts who had "streamlined [their] style to find genuine pop success."[40] Keenan, who had previously championed hypnagogic pop, became disenchanted with many such artists, writing in 2011 that "in the reductive glare of mainstream media", chillwave had become "shorthand for a cheap form of revivalism and a valorising of bad taste".[41]

Carles later explained that he had set out to throw "a bunch of pretty silly names on a blog post and [see] which one stuck."[42] Neon Indian's Alan Palomo surmised that the tag caught on "because it was the most dismissive and sarcastic ... the term chillwave came when the era of blog-mediated music was at its height at that time."[43] The term did not gain mainstream currency until early 2010, when it was the subject of articles by The Wall Street Journal and The New York Times.[44]

Chillwave flourished throughout 2008 and 2009,[31] culminating with the 2009 "Summer of Chillwave", which was marked by an inundation of artists with names and song titles referencing summertime, the beach, or surfing.[45] Songs were generally of low-to-moderate tempo[46] and incorporated vintage, analog instrumentation that evoked the popular music of the late 1970s and early 1980s.[47] Although it had no specific geographical source point, chillwave was concentrated in the southern and eastern coasts of the U.S.,[9] with Brooklyn, New York figuring the most prominently.[31] Neon Indian (Alan Palomo), Washed Out (Ernest Greene), and Toro y Moi (Chaz Bundick) were considered to be the vanguard of the chillwave movement.[34][13][48] All three were one-man acts from the Southern U.S, while Greene and Bundick were acquaintances and collaborators.[49]

Neon Indian's debut Psychic Chasms (October 2009) was another early album that typified the genre,[29] particularly the tracks "Deadbeat Summer", "Terminally Chill", and "Should've Taken Acid With You".[54] Bundick's debut Causers of This (January 2010) drew similar attention for its style of old-fashioned, lo-fi pop.[55] The album was acclaimed by critics and given an early endorsement by Kanye West, which lent the work significantly more popularity. Rolling Stone additionally dubbed Bundick the "godfather of chillwave".[56]

Vaporwave is a microgenre of electronic music that originated as an ironic variant of chillwave.[57] It was loosely derived from the work of hypnagogic artists such as Ariel Pink and James Ferraro, and was characterized by the invocation of retro popular culture[39] as well as the "analog nostalgia" of the chillwave scene.[52] Amplifying the experimental tendencies of hypnagogic pop,[58] vaporwave is cleanly produced and composed almost entirely from samples.[59] It relied on sources such as smooth jazz, retro elevator music, R&B, and dance music from the 1980s and 1990s,[52] along with the application of slowed-down chopped and screwed techniques, looping, and other effects.[59][60]

The chillwave scene ultimately "withered and died". One major reason was a sudden oversaturation of artists, which came as a consequence of its simple production process.[51] Writing in the New Times Broward-Palm Beach, Reed Fischer referred to Pitchfork's negative review of Millionyoung's "perfectly fine album" Replicants (2011) as a declaration of the genre's demise.[65] Explaining why the genre fell out of public favor, Bundick surmised that chillwave "did its thing, and once it became a thing, people stopped caring about it, even the artists [making it]."[66]

In 2015, Fitzmaurice reflected that the "holy triumvirate" of Washed Out, Toro y Moi, and Neon Indian had maintained their careers in spite of the genre's decline.[51] Tom Hawking predicted that the "chillwave era will most likely be a footnote to musical history, a faint flaring of middle-class angst in a frightening time for everyone. But that doesn't mean it's not worth examining regardless, because its simple existence says far more about a generation than the music itself ever did."[31]

Referencing the genre's Brooklyn-centric origins, Hawking noted that the "fact this was such beach-centric music makes it interesting ... chillwave also strikes me as hugely middle class music. ... whereas punk reacted with anger and a desire for change, chillwave was the sound of escapism and resignation. ... it's surely no coincidence that chillwave's rise coincided with the aftermath of the 2007 sub-prime economic meltdown."[31]

Vulture's Frank Guan writes that the evocation of summer is not "as a season of deprivation and loss of control, but [as] a summer spent in suburban quiet and prosperity, chilling indoors alone with central A/C, watching daytime TV or listening to music."[49] One unnamed Pitchfork writer opined: "This music isn't easy to write about. It takes a lot of work to get past 'soundtrack to the summer' and 'makes me want to hit the beach.' So much of this summer-obsessed lo-fi is about atmosphere and feel that it can seem weird to scrutinize it."[45]

In November 2009, Pitchfork ran an editorial feature on the "summer of chillwave". The Beach Boys' Brian Wilson, who had been compared to Animal Collective, was mentioned as a "looming figure" throughout that summer's indie music. An unnamed editor argued that the similarities were more abstract than musical and that Wilson's influence stems from his legend as an "emotionally fragile dude with mental health problems who coped by taking drugs."[45] The editor continued, "Summertime now is about disorientation: 'Should Have Taken Acid With You'; 'The Sun Was High (And So Am I)'; You take the fantasy of [Wilson's] music-- the cars, the sand, the surf-- add a dollop of melancholy and a smudge of druggy haze, and you have some good music for being alone in a room with only a computer to keep you company."[45] 2ff7e9595c